Collection: Scholar Art

The aesthetic of the scholar studio is embodied in an acute appreciation for representations of the natural world in any form; from the subject of a painting in the alcove to the texture of the wood on the desk and the colors or deformities in the bamboo brush hanging from a piece of natural wood.

A profound influence from China, through the practice of Chinese style steeped tea (Sencha) and glorification of the Literati ideal of the Ming is part of the dual basis of Japans Scholar tradition.  Equally important is an understanding and appreciation of natural degradation and the fleeting nature of existence espoused in the ideal of wabi-sabi and the world of Japanese Powdered Tea (Maccha).  Behind both these concepts lies a basis in Zen (Chan) Buddhist precepts and Taoist/Confucianist Philosophy.

Stone. Wood.  Earth. Grain. Texture. Form. All natural, imperfect, transient and unique.