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A large sculpted organic form by the rising young female star Goto Miho rendered from sheer white porcelain titled Kaku. Not simply a carved pillar, it is made simultaneously of an inner and outer layer, with hollows and caverns visible in places between the deeply scored runes outside. It is 1 meter (3 feet) tall and in excellent condition, mounted on a steel plate, directly from the artist this spring.
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Goto Miho was born in Nagasaki Prefecture in 1998, and initially exhibited two dimensional art before finding a comfortable creative valve in clay. She completed advanced studies at the Tajimi City Ishoken Ceramics Research Facility in 2025 and is currently based in Toki City. She creates works using porcelain clay that visualize ambiguous and ever-changing sensations. Emphasizing the act of creation by hand, she values the organic forms that emerge naturally rather than adhering to predetermined designs. This intuitive approach often results in works that resemble organic structures, like human organs, though this resemblance is unintentional. Recently, she has focused on hand-built, vertically oriented sculptures refined by a process of carving and scraping away the clay, her hands slowly removing the excess, so that only the essential form remains. She constructs both the inner and outer parts simultaneously, ensuring structural integrity. Her work has been exhibited in Japan including the “Ceramic Synergy” exhibition at the Kyoto City KYOCERA Museum of Art in 2023. Combining ceramics with two-dimensional expression, she draws inspiration from the limitations of clay, continuing to explore its creative potential.
