{"title":"向井 奈生子","description":"\u003cp data-start=\"143\" data-end=\"575\"\u003e\u003cstrong\u003e向井 奈生子\u003c\/strong\u003eは1999年東京生まれ。2023年に武蔵野美術大学 工芸工業デザイン学科 陶磁専攻を卒業、2025年には多治見市陶磁器意匠研究所を修了しました。新世代を代表する陶芸作家として、2022年にはプラハ装飾芸術美術館での「Talking Flowers」、2024年には日本橋高島屋での「ishoken 新たな風」、2025年にはギャラリーヴォイスでの「誘惑するカタチ」など国内外で作品を発表し続けています。2025年には、金沢21世紀美術館で開催された第６回 金沢・世界工芸トリエンナーレに入選し、現代工芸のより幅広い舞台への進出を果たしました。\u003c\/p\u003e","products":[{"product_id":"young-female-artist-gold-glazed-ceramic-sculpture-ー向井-奈生子-土の皮ⅳ","title":"Young Female Artist Gold Glazed Ceramic Sculpture ー向井 奈生子 “土の皮Ⅳ”","description":"\u003cp\u003eThis ceramic sculpture by Mukai Naoko unfolds as an organic, hollowed form with an elongated body that undulates like a fallen branch or a fragment of coral cast ashore. The surface is rendered in a matte, earthen clay—warm, reddish-brown and densely textured with fine, incised striations that radiate across the skin like growth rings or cellular tissue. The tactile quality is pronounced: the exterior appears dry, almost fibrous, emphasizing a sense of slow formation. Irregular apertures puncture the body at varying scales, their edges rough and subtly flared. Within the cavity, the interior is lined in luminous gold, creating a striking contrast between the raw exterior and the reflective inner surfaces. The gold catches light with liquid warmth, pooling in the recesses and suggesting hidden vitality beneath an otherwise muted shell. Placed among stone and foliage, the work feels less like an object placed in nature than something discovered within it. It is 45 x 20 x 25 cm (18 x 8 x 10 inches) and is in perfect condition, directly from the artist in late 2025. The piece balances rawness and refinement, concealment and disclosure—a dialog between the earthly and the luminous that characterizes Mukai’s emerging sculptural language.  It comes with a signed wooden placard.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDue to size the cost of shipping will be accrued separately.\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMukai Naoko was born in Tokyo in 1999, and graduated from Musashino Art University in 2023 with a degree in Crafts and Industrial Design, specializing in ceramics, and completed the Tajimi City Pottery Design and Technical Center in 2025. Representing a new generation of ceramic artists, her work has already been presented internationally and domestically, including Talking Flowers at the Museum of Decorative Arts in Prague (2022), ishoken: A New Wind at Nihombashi Takashimaya (Tokyo, 2024), and Alluring Forms at Gallery Voice (Tajimi, 2025). In 2025, she was selected for the 6th Kanazawa World Crafts Triennale at the 21st Century Museum of Contemporary Art, Kanazawa, marking her emergence onto a broader contemporary craft stage.\u003cbr\u003e\u003c\/p\u003e","brand":"Mukai Naoko","offers":[{"title":"Default Title","offer_id":50544787259639,"sku":"MN2","price":3600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2026-01-1714.59.34.jpg?v=1772763745"},{"product_id":"skin-of-the-earth-ⅳ-ー向井-奈生子-鼓動","title":"Skin of the earth Ⅳ ー向井 奈生子 “鼓動”","description":"\u003cp\u003eA distinctive sculptural object by female artist, Mukai Naoko. Created in 2024, the piece carries subtle echoes of living organisms—an expression rooted in Mukai’s lifelong fascination with the natural world. The evenly arranged, gold‑shimmering points catch the sunlight and glisten beautifully, enhancing the work’s organic presence. The work comes housed in an original wooden box signed by the artist. It measures 20 x 20 x 15 cm (7 7\/8 × 7 7\/8 × 5 7\/8 inches) and was obtained directly from her studio at the end of 2025. The condition is excellent.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMukai Naoko was born in Tokyo in 1999, and graduated from Musashino Art University in 2023 with a degree in Crafts and Industrial Design, specializing in ceramics, and completed the Tajimi City Pottery Design and Technical Center in 2025. Representing a new generation of ceramic artists, her work has already been presented internationally and domestically, including Talking Flowers at the Museum of Decorative Arts in Prague (2022), ishoken: A New Wind at Nihombashi Takashimaya (Tokyo, 2024), and Alluring Forms at Gallery Voice (Tajimi, 2025). In 2025, she was selected for the 6th Kanazawa World Crafts Triennale at the 21st Century Museum of Contemporary Art, Kanazawa, marking her emergence onto a broader contemporary craft stage.\u003cbr\u003e\u003c\/p\u003e","brand":"Mukai Naoko","offers":[{"title":"Default Title","offer_id":50557206298871,"sku":"MN1","price":1400.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2026-02-1511.43.20_2.jpg?v=1772951613"},{"product_id":"object-white-hollow-ー向井-奈生子-白孔","title":"Object, White Hollow ー向井 奈生子 “白孔”","description":"\u003cp\u003eA palm-sized sculptural piece by the rising young ceramic artist Mukai Naoko enclosed in the original signed wooden box titled Hakko. Fascinated by living creatures since childhood, Mukai creates works that feel as though they have emerged from the sea—forms that carry the quiet breath of the earth itself. Created in 2024, this piece measures 13.5 x 13 x 11 cm (5 1\/4 x 5 x 4 1\/4 inches) and was acquired directly from the artist in late 2025. It remains in perfect condition. In this work she focuses on the contradiction of an organic form punctuated with a concise pattern of holes.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMukai Naoko was born in Tokyo in 1999, and graduated from Musashino Art University in 2023 with a degree in Crafts and Industrial Design, specializing in ceramics, and completed the Tajimi City Pottery Design and Technical Center in 2025. Representing a new generation of ceramic artists, her work has already been presented internationally and domestically, including Talking Flowers at the Museum of Decorative Arts in Prague (2022), ishoken: A New Wind at Nihombashi Takashimaya (Tokyo, 2024), and Alluring Forms at Gallery Voice (Tajimi, 2025). In 2025, she was selected for the 6th Kanazawa World Crafts Triennale at the 21st Century Museum of Contemporary Art, Kanazawa, marking her emergence onto a broader contemporary craft stage.\u003cbr\u003e\u003c\/p\u003e","brand":"Mukai Naoko","offers":[{"title":"Default Title","offer_id":50557213933815,"sku":"MN8","price":635.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2026-01-1715.40.40_2.jpg?v=1772953907"},{"product_id":"ceramic-object-mino-ー向井-奈生子-蓋物-蓑","title":"Ceramic Object Mino ー向井 奈生子 “蓋物 蓑”","description":"\u003cp\u003eResembling a weathered shell or the protective skin of a small sea creature, this ceramic futamono (covered vessel) by Mukai Naoko is titled Mino, a word that evokes the layered straw rain capes traditionally worn for protection against the elements. The vessel’s gently tapering form is wrapped in rhythmic bands of finely incised ridges that spiral across the surface like the growth lines of a shell or coral formation. Fired to a warm iron-rich reddish tone, the textured surface gathers subtle variations of shadow and sheen within its carved structure, giving the piece the appearance of something slowly shaped by natural processes. The lid is a small removable pin, a delicate detail that contrasts with the otherwise organic presence of the form while pushing the limits of the object's function as a container. Both sculptural and intimate in scale, the work suggests simpler times coupled with a nostalgia that feels at once protective, ancient, and alive. The piece measures approximately 22 x 14 x 12.5 cm (8-3\/4 x 5-1\/2 x 5 inches) and is in excellent condition, directly from the artist.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMukai Naoko was born in Tokyo in 1999, and graduated from Musashino Art University in 2023 with a degree in Crafts and Industrial Design, specializing in ceramics, and completed the Tajimi City Pottery Design and Technical Center in 2025. Representing a new generation of ceramic artists, her work has already been presented internationally and domestically, including Talking Flowers at the Museum of Decorative Arts in Prague (2022), ishoken: A New Wind at Nihombashi Takashimaya (Tokyo, 2024), and Alluring Forms at Gallery Voice (Tajimi, 2025). In 2025, she was selected for the 6th Kanazawa World Crafts Triennale at the 21st Century Museum of Contemporary Art, Kanazawa, marking her emergence onto a broader contemporary craft stage.\u003cbr\u003e\u003c\/p\u003e","brand":"Mukai Naoko","offers":[{"title":"Default Title","offer_id":50567464648951,"sku":"MN10","price":920.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2026-02-1511.28.56_2.jpg?v=1773193654"},{"product_id":"phantasmagorical-ceramic-sculpture-skin-of-the-earth-ー向井-奈生子-土の皮ⅰ","title":"Phantasmagorical Ceramic Sculpture, “Skin of the Earth” ー向井 奈生子 “土の皮Ⅰ”","description":"\u003cp\u003eA monumental sculpture by Mukai Naoko, titled Tsuchi no Kawa I (“Skin of the Earth I”). Rising in a twisting, vertical mass, the work resembles an organic geological formation—part weathered rock, part living organism—or perhaps some inhabited, geological growth rising shimmering from the darkness on the cave floor, its undulating body swelling and folding as it ascends. Across the entire surface Mukai has meticulously punctured thousands of small circular impressions, creating a dense skin-like texture that evokes pores, seeds, or mineral cavities embedded within the clay. The warm earthen coloration and rhythmic patterning give the impression of something slowly formed through natural processes, as though the sculpture were an exposed fragment of the earth itself. Cavities and openings appear throughout the form, inviting the viewer’s gaze to move through the interior spaces while emphasizing the work’s dynamic balance between solidity and void. At once monumental and intimate in its surface detail, the sculpture transforms clay into a tactile landscape of growth and erosion. The work measures approximately 53 cm x 55 x 103 cm (21 x 22 x 40-1\/2 inches), and was acquired directly from the artist.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDue to size the cost of shipping will be accrued separately.\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMukai Naoko was born in Tokyo in 1999, and graduated from Musashino Art University in 2023 with a degree in Crafts and Industrial Design, specializing in ceramics, and completed the Tajimi City Pottery Design and Technical Center in 2025. Representing a new generation of ceramic artists, her work has already been presented internationally and domestically, including Talking Flowers at the Museum of Decorative Arts in Prague (2022), ishoken: A New Wind at Nihombashi Takashimaya (Tokyo, 2024), and Alluring Forms at Gallery Voice (Tajimi, 2025). In 2025, she was selected for the 6th Kanazawa World Crafts Triennale at the 21st Century Museum of Contemporary Art, Kanazawa, marking her emergence onto a broader contemporary craft stage.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e※ Photo by Yoshinori Tanaka\u003c\/p\u003e","brand":"Mukai Naoko","offers":[{"title":"Default Title","offer_id":50575949627639,"sku":"MN5","price":7500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/202503050024__YoshinoriTanaka_7779a49a-5510-4d61-b5fb-d95e617b8392.jpg?v=1773461796"},{"product_id":"female-sculptor-blue-shell-ー向井-奈生子-蓋物-蒼殻","title":"Female Sculptor Blue Shell ー向井 奈生子 “蓋物 蒼殻”","description":"\u003cp\u003eAn extraordinary sculptural futamono (covered vessel) by Mukai Naoko, titled Aokaku (“Blue Shell”). The work departs dramatically from the quiet functionality of the artist’s tea wares, unfolding instead as a mysterious organic form that appears almost geological or marine in origin. Its undulating surface is densely incised with radiating patterns that resemble coral polyps, fossil structures, or microscopic cellular growth, each node punctuated by small glazed depressions that shimmer in deep cobalt tones against a blue-green ground. The vessel’s irregular body swells and contracts like a living organism, culminating in a discreet opening sealed by a small pebble-like lid whose polished surface echoes the darker glazed accents scattered across the form. Part container, part imagined lifeform, the piece reflects Mukai’s fascination with natural systems and textural accumulation, transforming clay into a tactile landscape of growth and sediment. The work measures approximately 23 cm (9 inches) long, 14.5 cm (5.7 inches) wide, and 12.5 cm (4.9 inches) high, and remains in excellent condition, acquired directly from the artist.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMukai Naoko was born in Tokyo in 1999, and graduated from Musashino Art University in 2023 with a degree in Crafts and Industrial Design, specializing in ceramics, and completed the Tajimi City Pottery Design and Technical Center in 2025. Representing a new generation of ceramic artists, her work has already been presented internationally and domestically, including Talking Flowers at the Museum of Decorative Arts in Prague (2022), ishoken: A New Wind at Nihombashi Takashimaya (Tokyo, 2024), and Alluring Forms at Gallery Voice (Tajimi, 2025). In 2025, she was selected for the 6th Kanazawa World Crafts Triennale at the 21st Century Museum of Contemporary Art, Kanazawa, marking her emergence onto a broader contemporary craft stage.\u003cbr\u003e\u003c\/p\u003e","brand":"Mukai Naoko","offers":[{"title":"Default Title","offer_id":50602435772663,"sku":"MN3","price":950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2026-01-1715.32.34_2.jpg?v=1773631326"},{"product_id":"contemporary-sencha-tea-set-b-ー向井-奈生子-茶器","title":"Contemporary Sencha Tea Set B ー向井 奈生子 “茶器”","description":"\u003cp\u003eA refined porcelain tea set by Mukai Naoko, enclosed in the original signed wooden box titled Chaki (Tea Utensils). The softly rounded kyūsu teapot and accompanying cups are composed with quiet restraint, their gently swelling forms resolving into smooth, continuous curves that sit comfortably in the hand. The teapot’s low, horizontal body is paired with a delicately tapered spout and an elegantly arcing handle whose organic curve echoes the rounded geometry of the vessel itself, while the cups repeat the same compact, swelling profile. The matte porcelain surface diffuses light softly across the forms, emphasizing the purity of line and the precision of their construction and revealing Mukai’s sensitivity to the tactile and functional qualities of the tea vessel—objects designed not only to be seen but to be held, poured, and shared. The kyūsu teapot measures approximately 17 cm (6.7 inches) wide, 20 cm (7.9 inches) long, and 9 cm (3.5 inches) high, while each yunomi cup measures approximately 8.5 cm (3.3 inches) in diameter and 5 cm (2 inches) tall. The set is in excellent condition and was acquired directly from the artist.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMukai Naoko was born in Tokyo in 1999, and graduated from Musashino Art University in 2023 with a degree in Crafts and Industrial Design, specializing in ceramics, and completed the Tajimi City Pottery Design and Technical Center in 2025. Representing a new generation of ceramic artists, her work has already been presented internationally and domestically, including Talking Flowers at the Museum of Decorative Arts in Prague (2022), ishoken: A New Wind at Nihonbashi Takashimaya (Tokyo, 2024), and Alluring Forms at Gallery Voice (Tajimi, 2025). In 2025, she was selected for the 6th Kanazawa World Crafts Triennale at the 21st Century Museum of Contemporary Art, Kanazawa, marking her emergence onto a broader contemporary craft stage.\u003cbr\u003e\u003c\/p\u003e","brand":"Mukai Naoko","offers":[{"title":"Default Title","offer_id":50609458872567,"sku":"MC1321B","price":495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2025-06-1602.39.00copy.jpg?v=1773899669"},{"product_id":"red-coral-organism-container-ー向井-奈生子-蓋物-紅礁","title":"Red Coral Organism Container ー向井 奈生子 “蓋物 紅礁”","description":"\u003cp\u003eA striking sculptural futamono (covered vessel) by Mukai Naoko, titled Kōshō (“Red Reef”). The work takes the form of a fantastical coral-like organism, its body swelling outward into multiple horned protrusions that radiate from a dense central mass. Across the entire surface Mukai has meticulously incised thousands of minute, rhythmic marks that spread in concentric patterns, evoking the growth structures of coral polyps or fossilized marine colonies. The vivid red ground is punctuated by darker accents and pale banding around the horned projections, creating a dynamic interplay of color and texture that suggests both natural accretion and geological time. At the center of the form an opening is sealed by a small stone-like lid, reinforcing the dual identity of the piece as both container and sculptural object. Balancing meticulous surface labor with an exuberantly organic silhouette, the vessel appears almost alive—part reef fragment, part imagined lifeform emerging from the sea. The work measures approximately 25 cm (9.8 inches) long, 21.5 cm (8.5 inches) wide, and 16.3 cm (6.4 inches) high, and is in excellent condition, acquired directly from the artist.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMukai Naoko was born in Tokyo in 1999, and graduated from Musashino Art University in 2023 with a degree in Crafts and Industrial Design, specializing in ceramics, and completed the Tajimi City Pottery Design and Technical Center in 2025. Representing a new generation of ceramic artists, her work has already been presented internationally and domestically, including Talking Flowers at the Museum of Decorative Arts in Prague (2022), ishoken: A New Wind at Nihombashi Takashimaya (Tokyo, 2024), and Alluring Forms at Gallery Voice (Tajimi, 2025). In 2025, she was selected for the 6th Kanazawa World Crafts Triennale at the 21st Century Museum of Contemporary Art, Kanazawa, marking her emergence onto a broader contemporary craft stage.\u003cbr\u003e\u003c\/p\u003e","brand":"Mukai Naoko","offers":[{"title":"Default Title","offer_id":50617014452471,"sku":"MN4","price":950.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2026-01-1715.18.19_2.jpg?v=1774228836"},{"product_id":"wall-mounted-ceramic-object-ー向井-奈生子-癒殻","title":"Wall-Mounted Ceramic Object ー向井 奈生子 “癒殻”","description":"\u003cp\u003eA striking wall-mounted ceramic object by Mukai Naoko, titled Yukaku, a term suggesting a healing or protective shell—something akin to a scab formed over a wound. The elongated form appears almost like a fragment of organic matter—part shell, part dried leaf—its irregular edges curling inward to reveal a dark, glossy interior that contrasts dramatically with the matte, iron-rich exterior surface. Fired to a deep reddish-brown tone and scattered with subtle granular textures, the outer skin carries the quiet evidence of flame and clay interacting in the kiln, while the interior cavity gleams with a molten, lacquer-like darkness. In this way the work evokes the natural process by which a wound seals itself, forming a protective crust that both conceals and preserves what lies beneath. Mounted vertically, the piece suggests a suspended natural fragment or geological shard discovered and preserved upon the wall. The tension between the fragile, torn silhouette and the dense ceramic body lends the work a quiet intensity, transforming clay into something that feels simultaneously fossilized and alive. The object measures approximately 35.5 cm (14 inches) long, 12.5 cm (5 inches) wide, and 8 cm (3-1\/8 inches) deep, and remains in excellent condition, acquired directly from the artist. The title suggests the idea of gently soothing the “shell” of oneself—the hardened exterior formed by stress or fatigue. It can express the act of caring for one’s own inner and outer self, suggesting a process of mental and physical healing, as if tending to the protective shell that surrounds the individual. This work connects the material transformation of clay to a biological process—damage, protection, and healing. That idea resonates very strongly with Mukai’s vocabulary of skins, shells, reefs, and porous surfaces across the works we have encountered from her oeuvre.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMukai Naoko was born in Tokyo in 1999, and graduated from Musashino Art University in 2023 with a degree in Crafts and Industrial Design, specializing in ceramics, and completed the Tajimi City Pottery Design and Technical Center in 2025. Representing a new generation of ceramic artists, her work has already been presented internationally and domestically, including Talking Flowers at the Museum of Decorative Arts in Prague (2022), ishoken: A New Wind at Nihombashi Takashimaya (Tokyo, 2024), and Alluring Forms at Gallery Voice (Tajimi, 2025). 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Across this textured surface, softly flowing glazes in muted greens, creams, and earthen browns settle into the carved structure, creating mottled patterns reminiscent of weathered stone, lichen, or the encrusted skin of a sea-worn shell. The lid is crowned with a smooth, pebble-like knob whose pale celadon tone and softly pitted surface contrast with the surrounding textures, recalling a stone polished by water and time. Both ancient and quietly biological in presence, the work suggests an object shaped by slow natural processes rather than deliberate construction, as though lifted from a reef or tide pool and translated into clay. The piece measures approximately 20 x 13.5 x 13 cm (8 x 5-1\/4 x 5 inches) and is in excellent condition, acquired directly from the artist.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMukai Naoko was born in Tokyo in 1999, and graduated from Musashino Art University in 2023 with a degree in Crafts and Industrial Design, specializing in ceramics, and completed the Tajimi City Pottery Design and Technical Center in 2025. Representing a new generation of ceramic artists, her work has already been presented internationally and domestically, including Talking Flowers at the Museum of Decorative Arts in Prague (2022), ishoken: A New Wind at Nihombashi Takashimaya (Tokyo, 2024), and Alluring Forms at Gallery Voice (Tajimi, 2025). 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