{"title":"Antique Japanese Art","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eThis category presents antique Japanese art spanning from ancient periods through the early twentieth century, including works from the Jōmon, Yayoi, Heian, Kamakura, Muromachi, Momoyama, Edo, Meiji, Taishō, and early Shōwa eras. The collection features historical Japanese ceramics, Buddhist and Shinto ritual objects, paintings, textiles, lacquerware, furniture, and decorative arts. Shaped by court culture, religious practice, the tea ceremony, and regional folk traditions, these works are valued for their craftsmanship, provenance, and historical significance. Each piece reflects the enduring foundations of Japanese aesthetics and material culture.\u003cbr\u003e\u003c\/p\u003e","products":[{"product_id":"pair-white-gu-vases","title":"Pair White Gu-Vases","description":"A fine pair of White Porcelain vases with raised designs by Miura Chikken (Chikuken) dating from the early 20th century. The are roughly 17.5 cm (7 inches) diameter, 28.5 cm (over 11 inches) tall and in excellent condition.\u003cbr\u003e\n\u003cbr\u003e\nMiura Chikken (Chikuken, 1900-1990) was born the third son of Miura Chikusen I. He was named the third head of the Chikusen family after the untimely death of his older brother in 1918, but returned the kiln to his brother’s son after his coming of age in 1934. That year he set out on his own path with the new name Chikken focusing on traditional Kenzan-Ninsei styles.","brand":"Miura Chikken","offers":[{"title":"Default Title","offer_id":45095989772535,"sku":"K092","price":2750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2024-02-1803.08.46copy.jpg?v=1720675025"},{"product_id":"temple-in-forest","title":"Temple in Forest Screen","description":"Dimensions: 150 x 120 cm | 59 x 47 inch\u003cbr\u003e\nThe worn gilded doors o a temple storehouse shimmer softly in the dark quiet of a forest, a fine painting in the Taisho to early-Showa style stamped Roko.  One can barely hear the occasional rustling of the cedars, the silence disturbed only by the lone song of a distant bird.  It is an intimate scene enveloping the viewer in a very private world.  It is likely the work of Sakakibara Roko.  It has been completely remounted.","brand":"Kura Monzen Gallery","offers":[{"title":"Default Title","offer_id":45096040104183,"sku":"NA076","price":1030.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/anShinrinRoe2.jpg?v=1720679986"},{"product_id":"ya-chiku-bamboo-basket-of-old-arrows","title":"Ya-chiku Bamboo Basket of Old Arrows","description":"A stylish basket of woven bamboo laced with old arrows by Tanabe Chikuunsai II made for the preeminent Shiobido Gallery in Osaka enclosed in the original signed wooden box. It is 16 cm diameter, 37 cm tall and in perfect condition.\u003cbr\u003e\n\u003cbr\u003e\nTanabe Chikuunsai II (1910-2000) was born in Osaka the son of Tanabe Chikuunsai I and trained under his father. In 1930 he became a member of the Naniwa Ranyukai and exhibited was first accepted into the Teiten (Modern Nitten) National Art Exhibition in 1931, and exhibited there both prior to and following the second world war. He assumed the name of Chikuunsai II on the death of his father in 1937. In 1991 he transferred his studio name to his eldest son, who became Chikuunsai III and took the retirement name Ichikusai. Work by him is held in museums throughout the world including the Metropolitan Museum in New York, Museum of Fine Art in Boston, San Francisco Asian Art Museum and aforementioned Minneapolis among many others.\u003cbr\u003e\n\u003cbr\u003e\n  The Shobido Jewelry Co. was founded in 1900 at Yodoyabashi, in central Osaka City by Eikichiro Eto. They are purveyors of watches, Jewelry, art and crafts, silverware and precious metals from the Meiji era to the present day, and their products and artisans were considered elite among Japanese crafts. In fact many of Japans greatest craftsman created unique works for the Shobido label.","brand":"Tanabe Chikuunsai","offers":[{"title":"Default Title","offer_id":45105188765943,"sku":"K400","price":5800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/Basket_1.jpg?v=1720939582"},{"product_id":"sanso-ni-tsuki","title":"Antique Japanese Taisho period Painting, Hirai Baisenー平井 楳仙 \"山荘二月\"","description":"\u003cp\u003eThe moon rises small over the hermitage lost in dark wshes of foliage covering the twilit hills, a fabulous calming scene by Hirai Baisen enclosed in the original signed wooden box titled Sanso ni Tsuki (Mountain Home and Moon).  Ink on paper in beautiful cloth mounting with silver thread and solid ivory rollers (these will be changed if exporting).  The scroll is 43.2 x 208 cm (17 x 82 Inches).  There is one bend (not a hard wrinkle or crease) in the bottom across the signature. Otherwise, overall excellent condition.  The box comes in a paper sleeve from Mitsukoshi Department Store. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eHirai Baisen graduated the Kyoto Municipal School of Fine Arts in 1906 and was a regular exhibitor with the Bunten from 1907-1931. In 1910, aged just 22, to the Japan-British Exhibition held in London. Having worked in any number of styles, he was a true Jiyu-gakka who excelled in the early years of his career. However he did slowly withdraw from the competitive world of Japanese art beginning in the war years. His works are held by the National Museum of Modern Art in Tokyo, and the Museum of Fine Arts, Boston, Seattle Art Museum, Honolulu, Portland Art Museum and a plethora of other important public and private collections.\u003cbr\u003e\u003c\/p\u003e","brand":"Hirai Baisen","offers":[{"title":"Default Title","offer_id":45126591283447,"sku":"L002","price":1100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/L002.jpg?v=1756881895"},{"product_id":"tiger-and-waves","title":"Antique Japanese Edo p. Nagasaki School Scroll, Tiger \u0026 Waves","description":"\u003cp\u003eAn Edo period Nagasaki School painting of a leaping tiger and waves depicted with ink and light color on paper, in a suitable cloth border featuring the original ivory rollers.  It is 25 x 80 inches (64 x 204 cm) and in overall fine condition, fully restored. There are some repairs to the original paper which was worn with the passage of time. The rollers will be changed for export. The Nagasaki school is a term used to describe the various painting styles which drew influence from Chinese and Western painters based at the open port city of Nagasaki throughout the Edo period.  \u003c\/p\u003e","brand":"Kura Monzen Gallery","offers":[{"title":"Default Title","offer_id":45132194709751,"sku":"F004","price":830.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/F004_2.jpg?v=1753255702"},{"product_id":"zoroku-studio","title":"Zoroku Studio, 2 Panel Screen ー柴田 晩葉","description":"The thatch roofed studio of potter Mashimizu Zoroku by Shibata Banyo dating from the Taisho to early Showa period. Pigment on silk in a red lacquered wooden frame. It is 190 x 170 cm (74 1\/2 x 67 inches) and is in overall fine condition with some light foxing and minor handling marks typical of age. For another example of this scene by Banyo see:Rokasensuiso to Yamamoto Shunkyo (2022, Otsu City Historical Museum) page 14.\u003cbr\u003e\n\u003cbr\u003e\nShibata Banyo (1885-1942) was an influential artist born in Otsu.  After completing studies at the Kyoto Municipal School of Painting (mod. University of Art) he entered the salon of Yamamoto Shunkyo.  For more on this artist see the book Shibata Banyo Koto no Modan Nihongaka (2011)","brand":"Shibata Banyo","offers":[{"title":"Default Title","offer_id":45135185281271,"sku":"NA38","price":1300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/DSC_1841.jpg?v=1721789031"},{"product_id":"fighting-cock-ーexhibited-at-the-1932-teiten-national-exhibition","title":"\"Fighting Cock\", exhibited at the 1932 Teiten National Exhibition ー村嶋 酉一 \"闘鶏\"","description":"\"Fighting Cock\" by Yuichi Murashima, exhibited at the 1932 Teiten National Exhibition. Dimensions are 187 x 187 cm (73 1\/2 x 73 1\/2 in). It depicts three brave Fighting Cocks and is in good condition. The eyes and legs of the fighting cocks are colored in a three-dimensional way, making them even more impressive when viewed up close.\u003cbr\u003e\n\u003cbr\u003e\nMurashima Yuichi (1897-1972), born in Toyama City, and entered Tokyo Fine Arts School where he studied under Motoaki Yuuki. While still a student, he exhibited at Teiten exhibitions, and received a special selection at the 13th Teiten exhibition in 1932 for 'Day and Cow', and in 1932 for 'Bosatsurei' at the 1st Reorganized Teiten. From then on, he was often exhibited at the National Art Exhibitions.","brand":"Murashima Yuichi","offers":[{"title":"Default Title","offer_id":45140233486583,"sku":"NA39","price":2400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/DSC_1857.jpg?v=1721882586"},{"product_id":"rare-boxed-set-of-5-akashi-yaki-covered-bowls","title":"Rare Boxed Set of 5 Akashi Yaki Covered Bowls","description":"\u003cp\u003eA set of five covered bowls from the Akashi kilns of the 19th century decorated with cotton flowers on brown sandy clay. Each bowl is roughly 11.5 cm (4-1\/2 inches) diameter, 6 cm (2-1\/4 inches) deep. There are minor abrasions to the soft clay along the rims, but no cracks, and overall in rare fine used condition.  \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eAkashiyaki is a type of ceramic from Akashi, Hyogo Prefecture influenced by Mishima, Ko-Kiyomizu and Ninsei wares which reached its peak in the latter half of the Edo period.  At the beginning of the Edo period, Tadazane Ogasawara from the Matsumoto domain of Shinano Province was granted the Akashi area with a value of 100,000 koku and founded the Akashi domain. Tadamasa strove to establish Akashi Castle and improve the castle town and economics of the province.  According to one theory, Tadamasa initially invited Nonomura Ninsei from Kyoto, and had him develop a kiln to fire pottery which began the industry development. In the Genna era, a government kiln was built and Toda Oribenosuke began firing pottery in Akaura, Toba village. This is known today as Ko-akashiyaki. Bizen-style and Mishima-style tea pottery were produced and loved by tea masters. After that, the production of Akashiyaki was suspended for a period of time during the Tenmei period, but Tezuka Magoichiro, the group magistrate of Akashi Town, had Yamada Kikutaro reestablish the industry during the boom years of the Bunka\/Bunsei eras in the early 19th century.    Akashiyaki continued to be produced in this way into the Meiji era, however most of the production was for everyday items, and was rarely fired in large quantities, so as mass production took over it declined flourished from the end of the Meiji period to the beginning of the Taisho period\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c!----\u003e","brand":"Kura Monzen Gallery","offers":[{"title":"Default Title","offer_id":45147178205431,"sku":"K142","price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/IMG_8744.jpg?v=1722129897"},{"product_id":"nagasaki-school-edo-p-tiger-scroll","title":"Edo p. Nagasaki School Tiger Scroll ー常山 源瑛","description":"\u003cp\u003eA neko-tora (Cat like tiger) in typical Nagasaki School design looks over its shoulder on this finely painted work signed Tsuneyama Gen’ei.  Pigment and ink on silk, it has been completely remounted without overpainting.  The scroll measures 40 x 174 cm (15-1\/2 x 68-1\/2 inches) and is in fine condition.  The silk canvas is bordered in green silk with white piping and retains the original antique wood rollers.\u003c\/p\u003e\n\u003cp\u003eThe Nagasaki school is a term used to describe the various painting styles which drew influence from Chinese and Western painters based at the open port city of Nagasaki throughout the Edo period.\u003c\/p\u003e","brand":"Tsuneyama Genei","offers":[{"title":"Default Title","offer_id":45148544368887,"sku":"F009","price":1300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/F009_2.jpg?v=1753256547"},{"product_id":"a","title":"Taisho p. Museum Quality Scroll, Hawk ー鈴木 啓処 \"枯木就鳥\"","description":"\u003cp\u003eA spectacular painting of a hawk in pine by Suzuki Keisho dating from the early Taisho period.  Ink and light color on silk enclosed in a box dated 1913.  Framed in the Mincho style popular in the later Meiji, lavender-gray satin border with copper piping and large rosewood rollers. It is 101.5 x 214 cm (40 inches x 7 feet).\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSuzuki Keisho (1873-) was born in Utsunomiya city.  He studied and exhibited with Araki Kanbo and his Dokugakai in Ueno, as well as being exhibited at the Paris Worlds Fair (Exposition).\u003cbr\u003e\u003c\/p\u003e","brand":"Suzuki Keisho","offers":[{"title":"Default Title","offer_id":45153432895735,"sku":"F015","price":1800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/F015_2.jpg?v=1753258104"},{"product_id":"set-5-beautiful-antique-kosobe-yaki-pottery-plates","title":"Set 5 Beautiful Antique Kosobe-Yaki Pottery Plates","description":"\u003cp\u003eA set of five Kosobe-yaki pottery plates decorated with plum blossoms, harbinger of Spring.  Each is 12 cm (5 inches) diameter and in excellent condition, dating from the century and stamped Kosobe on the base.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe potter who founded Kosobe ware, Shinpei Igarashi, is said to have trained in Kyoto. He opened a kiln in Kosobe Town, Takatsuki City, during the Kansei era (1779-1801), and the operation continued for about 120 years until the fourth generation, Nobuhira. During this period, a variety of products, ranging from tea utensils to everyday household items, were produced for the surrounding areas, and sometimes orders were fulfilled for restaurants in Osaka and Kyoto. The rustic design of Kosobe ware is still widely appreciated by ceramic researchers and collectors today\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c!----\u003e","brand":"Kura Monzen Gallery","offers":[{"title":"Default Title","offer_id":45158834307319,"sku":"KN055","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2024-07-2806.49.15copy.jpg?v=1722396157"},{"product_id":"kojo-ー古城暮","title":"Antique Japanese Painted Scroll, “Kojo” ー平井 楳仙 \"古城暮\"","description":"A superb image titled “Twilight at the Old Castle” by Hirai Baisen enclosed in the original wooden box signed Chikujo-so Baisen. He has used a combination of very wet washes with dry brisk strokes to create a classic scene by this artist. The approach of a solitary figure below sets this apart. It is performed with ink and light color on paper, bordered in a fine frame of patterned brocade. It is 26-1\/2 x 90 inches (67 x 229 cm) and in fine condition. It features large ivory rollers, which will need to be changed if shipped outside Japan.\u003cbr\u003e\n\u003cbr\u003e\nHirai Baisen graduated the Kyoto Municipal School of Fine Arts and was a regular exhibitor with the Bunten from 1907-1931. Having worked in any number of styles, he was a true Jiyu-gakka who excelled in the early years of his career. However he did slowly withdraw from the competitive world of Japanese art beginning in the war years. His works are held by the National Museum of Modern Art in Tokyo, and the Museum of Fine Arts, Boston and a plethora of important public and private collections.","brand":"Hirai Baisen","offers":[{"title":"Default Title","offer_id":45159322157303,"sku":"L005","price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/L005_2.jpg?v=1756882614"},{"product_id":"sculpture-10-000-years-of-fusion","title":"Sculpture, 10,000 years of Fusion","description":"\u003cp\u003eA heavy stack of ceramic bowls in the style of Heian to Kamakura period collapsed kiln ware by ceramic maniac Inayoshi Osamu. The encrustation at the top is an actual excavated chunk of 1000 year old pottery, and the artist views this work as a statement on the continuity of potters throughout the long ceramic history of Japan.  Simply placing himself on the timeline from those many eons ago and into future generations.  The piece is one solid fusion of thrown bowls with the addition of the kiln shard, and measures roughly 45 cm (18 inches) tall, 17 cm (7 inches) diameter. It is accompanied by a signed wooden placard titled Kasane sara, directly from the artist.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eInayoshi Osamu was born in Toyohashi City in 1976, and graduated the Seto pottery school in 2002, the same year he was acknowledged for excellence at the 56th Seto Municipal Art Exhibition. He set up his own studio in 2007, garnering his first of many prizes at the the Oribe no Kokoro (heart of Oribe) Ceramic Exhibition. His unique textures and glaze techniques soon won him acclaim both in Japan and abroad , and he began exhibiting with vigor both domestically and abroad.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Inayoshi Osamu","offers":[{"title":"Default Title","offer_id":49052348285175,"sku":"MC375","price":1800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2024-06-2800.32.30.jpg?v=1726017422"},{"product_id":"ancient-collapsed-tsubo-named-containing-jewel","title":"Ancient Collapsed Tsubo named: Containing Jewel","description":"\u003cp\u003eA collapsed water jar covered in iron glaze and enclosed in an ancient wooden box heavily annotated inside the lid and named Ho-gyoku by the Head priest of Bukkoji Temple in Kyoto. There is a red lacquered Ka-o signature used by the elite on the side of the vessel. It is 32 x 23 x 27.5 cm (11-1\/2 x 9 x 11 inches) and is in fine condition.   The box lid claims it was the property of or named by the head of Bukkoji Temple in downtown Kyoto.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eIn 1212, following his expulsion to Echigo, the True-land Buddhist prophet Shinran Shonin returned to Kyoto and began to develop the teaching of Shin Buddhism at a hermitage in Yamashina (eastern part of Kyoto). This hermitage was the origin of the present-day Bukkoji Temple. It was named Koryu Shoboji Temple. Genran, the 8th Abbot, who succeeded, passed away in the 13th year of his reign. His wife, Ryomyo, was appointed the 9th Abbot. In an era more than 600 years ago, when women were severely discriminated against, a woman abbot was unheard of. But in establishing Bukkoji: \u003cbr\u003e\"Amida's Primal Vow does not discriminate between the young and old, good and evil; true faith alone is essential.\" In 1586, under orders from the Shogun Toyotomi Hideyoshi, Bukkoji was moved from Shirutani to the present location.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Kura Monzen Gallery","offers":[{"title":"Default Title","offer_id":49052407300343,"sku":"K408","price":2800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2024-07-1505.46.12.jpg?v=1726023735"},{"product_id":"antique-japanese-gentaku-yaki-pottery-plate","title":"Antique Japanese Gentaku Yaki Pottery Plate","description":"\u003cp\u003eA fan shaped dish from the Gentaku Kiln dating from the first half of the 20th century decorated with a poem and autumn persimmon fruits.  It comes enclosed in a wooden collectors box annotated inside with a description of the piece in delicate brush strokes. The dish is 25 x 28 x 5.5 cm (10 x 11 x 2 inches) and is in excellent condition, stamped Gen on the underside.  A very intriguing bit of Japanese Ceramic history. In the early Showa period, the first generation, Kahei, built the Gentaku Mountain Villa and established the Gentaku Kiln to produce pottery for guests. However, the kiln naturally fell into disuse with the onset of the Second World War. Oshima Rakuan and various potters were invited to create work there.\u003cbr\u003e\u003c\/p\u003e","brand":"Kura Monzen Gallery","offers":[{"title":"Default Title","offer_id":49052416377079,"sku":"KN060","price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2024-08-0405.26.42copy.jpg?v=1726024398"},{"product_id":"edo-p-set-of-4-seto-oribe-naga-zara-dishes","title":"Edo p. Set of 4 Seto-Oribe Naga-zara Dishes","description":"\u003cp\u003eA set of four “Mokume” wood-grained dishes in pale crackled glaze decorated with iron lattice from the Seto area enclosed in an ancient wooden box titled Seto Oribe naga-zara.  Each dish rises slightly off the table on four pinched feet.  They are roughly 19 x 10 x 3 cm (7-1\/2 x 4 x 1-1\/4 inches) and all are in overall fine condition.  \u003cbr\u003e\u003c\/p\u003e","brand":"Kura Monzen Gallery","offers":[{"title":"Default Title","offer_id":49052418638071,"sku":"KN057","price":350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2024-08-1005.54.54copy.jpg?v=1726024586"},{"product_id":"momoyama-to-early-edo-shino-oribe-bowl-set","title":"Momoyama to Early Edo Shino-Oribe Bowl Set","description":"\u003cp\u003eA set of Nesting Oribe bowls dating from the Momoyama to early Edo period from the Ohira-gama enclosed in an old collector’s box.  Both They display a brownish color, typical of early works from the late Muromachi to Momoyama periods.  The spur marks between are quite distinct “C” chapes.  A simple tendril of iron has been poured over the sand textured surface, otherwise there is no decoration.  Both slightly onched shapes feature kin-tsugi gold repairs.  The large bowl is 23 x 24.5 x 6 cm (9 x 9-3\/4 x 2-1\/2 inches), the smaller 21 x 22.5 x 5 cm (8-1.2 x 9 x 2 inches).\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe remnants of the Ohira kiln are located on Prefectural Road 84 just outside Toki-city.  The Ohira old kiln group includes: several kilns, the Yamanokami Kiln, Yuemon Kiln, Seidayu Kiln and Ohira Kamagane Kiln. According to the overview in Shino, Volume 15 of the Encyclopedia of Japanese Ceramics (Chuo Koronsha), the Yamanokami Kiln fired Shino’s precursor, white glaze-gray Shino, during the Muromachi period. It is believed to have been active from the Tenbun era (1532–1554) to the Eiroku era (1558–1569), gradually progressing to higher-quality Shino. After that, Yuemon Kiln (which operated for a long time) produced quite high-quality Shino ware. Additionally, a climbing kiln called the Seidayu Kiln was established, where later-period Shino was fired during the Keicho era (1596–1614). \u003cbr\u003e\u003c\/p\u003e","brand":"Kura Monzen Gallery","offers":[{"title":"Default Title","offer_id":49052423586039,"sku":"KN059","price":1400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2024-08-1004.32.54copy.jpg?v=1726025143"},{"product_id":"onna-noh-mask-named-uba-which-means-an-old-woman-ー姥","title":"Onna Noh Mask named “UBA” which means an old woman ー\"姥\"","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eA carved wood Noh-men Mask of an elderly woman called Uba.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eCarved wood covered with Gofun and mineral pigments, 20th century.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eIt is 21.2 x 13.5 cm and in overall fine condition \u003ca name=\"_Hlk180216604\"\u003e\u003c\/a\u003ebearing the carvers seal in the back.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eNoh theater, often referred to as Nohgaku, is a traditional Japanese performing art with a rich history dating back centuries. It is a highly stylized form of theater that combines elements of dance, music, poetry, and drama. Central to Noh performances are the intricate masks worn by the performers, known as Noh men. The origins of Noh can be traced back to ancient Japanese performing arts, particularly Kagura (ritual dance and music) and Bugaku (court dance and music). These traditional forms incorporated dance and music in religious rituals and imperial court ceremonies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eSarugaku, a precursor to Noh, emerged during the Nara (710-794) and Heian periods (794-1185). Sarugaku performances included comedic elements, acrobatics, and dance. Over time, it began to incorporate more serious and refined themes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eNoh as we know it today began to take shape during the Muromachi period (1336-1573). Kan'ami Kiyotsugu and his son Zeami Motokiyo played significant roles in refining and formalizing Noh performances, codifying its structure, music, and movements.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eZeami emphasized the importance of yūgen (mysterious beauty) and monomane (imitation or mimicry) in Noh, which influenced the development of Noh's distinctive aesthetic and storytelling techniques. Noh combines classical Japanese poetry (waka) with music and dance. The plays often revolve around themes of the supernatural, historical events, or literary works.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eDuring the Momoyama period the Tempo of Noh, which had been adopted by the elite, slowed significantly, to differentiate itself aesthetically from other forms of ritual dance.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eThis is the Noh that we have today.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eNoh masks represent different character types, such as gods, demons, spirits, elderly characters, and more. Each mask has distinct features and expressions that help convey the character's personality and emotions. They are meticulously crafted from wood and are meant to conceal the actor's emotions, allowing them to embody various characters and personas throughout the performance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eNoh theater is designated as a UNESCO Intangible Cultural Heritage and continues to be an essential part of Japan's cultural heritage. It has had a significant influence on other art forms, including traditional Japanese arts like Kabuki and Bunraku, as well as contemporary theater and dance. It remains a cherished and deeply respected art form in Japan, captivating audiences with its elegance, symbolism, and timeless stories.\u003c\/span\u003e\u003c\/p\u003e","brand":"Kura Monzen Gallery","offers":[{"title":"Default Title","offer_id":49168295297271,"sku":"NOH9","price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2023-09-0107.46.21.jpg?v=1729493334"},{"product_id":"otoko-noh-mask-named-douji-which-means-child","title":"Otoko Noh Mask named “DOUJI \/ 童子” which means child","description":"\u003cp class=\"MsoNormal\"\u003e\u003ca name=\"_Hlk180216312\"\u003e\u003c\/a\u003e\u003cspan lang=\"EN-US\"\u003eA carved wood Noh-men Mask of a young boy named Doji (Douji).\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eCarved wood covered with Gofun and mineral pigments, 20th century.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eIt is 20.7 x 13.5 cm and in overall fine condition.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eNoh theater, often referred to as Nohgaku, is a traditional Japanese performing art with a rich history dating back centuries. It is a highly stylized form of theater that combines elements of dance, music, poetry, and drama. Central to Noh performances are the intricate masks worn by the performers, known as Noh men. The origins of Noh can be traced back to ancient Japanese performing arts, particularly Kagura (ritual dance and music) and Bugaku (court dance and music). These traditional forms incorporated dance and music in religious rituals and imperial court ceremonies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eSarugaku, a precursor to Noh, emerged during the Nara (710-794) and Heian periods (794-1185). Sarugaku performances included comedic elements, acrobatics, and dance. Over time, it began to incorporate more serious and refined themes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eNoh as we know it today began to take shape during the Muromachi period (1336-1573). Kan'ami Kiyotsugu and his son Zeami Motokiyo played significant roles in refining and formalizing Noh performances, codifying its structure, music, and movements.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eZeami emphasized the importance of yūgen (mysterious beauty) and monomane (imitation or mimicry) in Noh, which influenced the development of Noh's distinctive aesthetic and storytelling techniques. Noh combines classical Japanese poetry (waka) with music and dance. The plays often revolve around themes of the supernatural, historical events, or literary works.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eDuring the Momoyama period the Tempo of Noh, which had been adopted by the elite, slowed significantly, to differentiate itself aesthetically from other forms of ritual dance.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eThis is the Noh that we have today.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eNoh masks represent different character types, such as gods, demons, spirits, elderly characters, and more. Each mask has distinct features and expressions that help convey the character's personality and emotions. They are meticulously crafted from wood and are meant to conceal the actor's emotions, allowing them to embody various characters and personas throughout the performance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eNoh theater is designated as a UNESCO Intangible Cultural Heritage and continues to be an essential part of Japan's cultural heritage. It has had a significant influence on other art forms, including traditional Japanese arts like Kabuki and Bunraku, as well as contemporary theater and dance. It remains a cherished and deeply respected art form in Japan, captivating audiences with its elegance, symbolism, and timeless stories.\u003c\/span\u003e\u003c\/p\u003e","brand":"Kura Monzen Gallery","offers":[{"title":"Default Title","offer_id":49168339009783,"sku":"NOH8","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2023-09-0107.42.19.jpg?v=1729495386"},{"product_id":"noh-mask-of-a-military-commander-named-chujo","title":"Noh Mask of a Military Commander Named Chujo \/ 中将","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eA carved wood Noh-men Mask of a warrior named Chujo.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eCarved wood covered with Gofun and mineral pigments, 20th century.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eIt is 20.8 x 13.3 cm and in overall fine condition \u003ca name=\"_Hlk180216727\"\u003e\u003c\/a\u003ebearing the carvers seal in the back.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eNoh theater, often referred to as Nohgaku, is a traditional Japanese performing art with a rich history dating back centuries. It is a highly stylized form of theater that combines elements of dance, music, poetry, and drama. Central to Noh performances are the intricate masks worn by the performers, known as Noh men. The origins of Noh can be traced back to ancient Japanese performing arts, particularly Kagura (ritual dance and music) and Bugaku (court dance and music). These traditional forms incorporated dance and music in religious rituals and imperial court ceremonies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eSarugaku, a precursor to Noh, emerged during the Nara (710-794) and Heian periods (794-1185). Sarugaku performances included comedic elements, acrobatics, and dance. Over time, it began to incorporate more serious and refined themes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eNoh as we know it today began to take shape during the Muromachi period (1336-1573). Kan'ami Kiyotsugu and his son Zeami Motokiyo played significant roles in refining and formalizing Noh performances, codifying its structure, music, and movements.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eZeami emphasized the importance of yūgen (mysterious beauty) and monomane (imitation or mimicry) in Noh, which influenced the development of Noh's distinctive aesthetic and storytelling techniques. Noh combines classical Japanese poetry (waka) with music and dance. The plays often revolve around themes of the supernatural, historical events, or literary works.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eDuring the Momoyama period the Tempo of Noh, which had been adopted by the elite, slowed significantly, to differentiate itself aesthetically from other forms of ritual dance.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eThis is the Noh that we have today.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eNoh masks represent different character types, such as gods, demons, spirits, elderly characters, and more. Each mask has distinct features and expressions that help convey the character's personality and emotions. They are meticulously crafted from wood and are meant to conceal the actor's emotions, allowing them to embody various characters and personas throughout the performance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eNoh theater is designated as a UNESCO Intangible Cultural Heritage and continues to be an essential part of Japan's cultural heritage. It has had a significant influence on other art forms, including traditional Japanese arts like Kabuki and Bunraku, as well as contemporary theater and dance. It remains a cherished and deeply respected art form in Japan, captivating audiences with its elegance, symbolism, and timeless stories.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e","brand":"Kura Monzen Gallery","offers":[{"title":"Default Title","offer_id":49171869237495,"sku":"NOH11","price":700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2023-09-0107.52.01.jpg?v=1729574974"},{"product_id":"okina-noh-mask-named-kojo-which-means-old-man-ー小尉","title":"Okina Noh Mask named “KOJO” which means old man ー\"小尉\"","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eA Japanese Noh Mask of carved wood covered with Gofun and mineral pigments named Kojo, 20th century.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eIt is 20.7 x 15.5 cm and in overall fine condition bearing the carvers seal in the back. This type of mask originated from\u003ci\u003e sarugaku\u003c\/i\u003e, the predecessor of noh, in the latter part of the Heian period. This is the oldest type of noh mask. The \"Kojo\" mask is worn by the actor portraying the old man in the first part of \"Takasago\" and in other Noh plays. The mask, embodying dignity and divinity,\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eNoh theater, often referred to as Nohgaku, is a traditional Japanese performing art with a rich history dating back centuries. It is a highly stylized form of theater that combines elements of dance, music, poetry, and drama. Central to Noh performances are the intricate masks worn by the performers, known as Noh men. The origins of Noh can be traced back to ancient Japanese performing arts, particularly Kagura (ritual dance and music) and Bugaku (court dance and music). These traditional forms incorporated dance and music in religious rituals and imperial court ceremonies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eSarugaku, a precursor to Noh, emerged during the Nara (710-794) and Heian periods (794-1185). Sarugaku performances included comedic elements, acrobatics, and dance. Over time, it began to incorporate more serious and refined themes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eNoh as we know it today began to take shape during the Muromachi period (1336-1573). Kan'ami Kiyotsugu and his son Zeami Motokiyo played significant roles in refining and formalizing Noh performances, codifying its structure, music, and movements.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eZeami emphasized the importance of yūgen (mysterious beauty) and monomane (imitation or mimicry) in Noh, which influenced the development of Noh's distinctive aesthetic and storytelling techniques. Noh combines classical Japanese poetry (waka) with music and dance. The plays often revolve around themes of the supernatural, historical events, or literary works.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eDuring the Momoyama period the Tempo of Noh, which had been adopted by the elite, slowed significantly, to differentiate itself aesthetically from other forms of ritual dance.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eThis is the Noh that we have today.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eNoh masks represent different character types, such as gods, demons, spirits, elderly characters, and more. Each mask has distinct features and expressions that help convey the character's personality and emotions. They are meticulously crafted from wood and are meant to conceal the actor's emotions, allowing them to embody various characters and personas throughout the performance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eNoh theater is designated as a UNESCO Intangible Cultural Heritage and continues to be an essential part of Japan's cultural heritage. It has had a significant influence on other art forms, including traditional Japanese arts like Kabuki and Bunraku, as well as contemporary theater and dance. It remains a cherished and deeply respected art form in Japan, captivating audiences with its elegance, symbolism, and timeless stories.\u003c\/span\u003e\u003c\/p\u003e","brand":"Kura Monzen Gallery","offers":[{"title":"Default Title","offer_id":49171902398711,"sku":"NOH16","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2023-09-0108.13.38.jpg?v=1729576422"},{"product_id":"traditional-japanese-female-noh-mask-deigan-泥眼","title":"Traditional Japanese Female Noh Mask, “DEIGAN \/ 泥眼”","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eA carved wood Noh-men Mask of a spirit named Deigan.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eCarved wood covered with Gofun and mineral pigments, 20th century.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eIt is 21.2 x 13.3 cm and in overall fine condition bearing the carvers seal in the back.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eThe Noh play Lady Aoi (Aoi no Ue) by Zeami is based on Chapter 9, “Leaves of Wild Ginger” (Aoi). Lady Aoi, Genji’s first wife, is possessed by a spirit during childbirth and becomes seriously ill. The culprit appears to be the vengeful spirit of Genji’s neglected former lover, Lady Rokujō, humiliated by Aoi during the “battle of the carriages” scene. Lady Rokujō first appears on stage seeking retribution, wearing the deigan (“gilded” or “golden eyes”) mask. The mask represents a mature woman who carries within her the seeds of supernatural transformation, while simultaneously signaling a demonic spirit that will soon manifest.\u003c\/span\u003e\u003c\/p\u003e","brand":"Kura Monzen Gallery","offers":[{"title":"Default Title","offer_id":49171915505911,"sku":"NOH14","price":700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2023-09-0108.04.22.jpg?v=1729577333"},{"product_id":"otoko-noh-mask-named-shojo-猩々-sake-sprite","title":"Otoko Noh Mask named “Shojo \/ 猩々” Sake-Sprite","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eA carved wood Noh-men Mask of a playful spirit named Shojo who loves drinking Sake.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eCarved wood covered with Gofun and mineral pigments, 20th century.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eIt is 20.8 x 13.5 cm and in overall fine condition bearing the carvers seal in the back.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eIn the Noph Play Shojo (also called Midare or Shojo Midare) A young man named Kofu living at the foot of Mt. Kanekin in China is a virtuous and dutiful son and as a reward for these traits he is granted a dream oracle in which he is advised to open a wine shop near the Yangtze River. He does so and becomes very prosperous. One day a stranger comes to the shop. No matter how much he drinks his complexion never changes and he never seems to become drunk. When Kofu asks his name he says he is Shojo and that he lives in the sea. Shojo invites Kofu to meet him at the Bay of Jinyo on the western part of the Yangtze River.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eHe admires the moon as he waits at the appointed place and anticipates the pleasure of drinking wine with his friend. Shojo enters and the chorus describes wine as a medicine or elixir with the power to keep those who drink it from aging. Shojo offers to dance in celebration of their friendship. With the sound of the booming of the waves as a drum and the wind through the waves as a flute to accompany him, he dances: now on the beach, now in the surf along the Bay. His dance ends, but before he leaves he praises Kofu for his obedient heart and as a gift he presents him with a jar of wine which will never run dry. He dips the wine and drinks, then with faltering steps sinks down to rest. When Kofu himself awakens from his drunken slumber he finds that the Shojo has disappeared, but the jar of wine remains, a spring of wine that will be inexhaustible for generations to come.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e","brand":"Kura Monzen Gallery","offers":[{"title":"Default Title","offer_id":49171918094583,"sku":"NOH13","price":650.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2023-09-0108.00.18.jpg?v=1729577444"},{"product_id":"japanese-noh-theater-hannya-mask-female-demon","title":"Japanese Noh Theater Hannya Mask, female demon","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eA carved wood Noh-men Mask of a female demonic figure named Hannya.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eCarved wood covered with Gofun, gold and mineral pigments, 20th century.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eIt is 25 x 19.2 cm \u003cspan class=\"HwtZe\" lang=\"en\" jsaction=\"mouseup:Sxi9L,BR6jm; mousedown:qjlr0e\" jsname=\"jqKxS\"\u003e\u003cspan class=\"jCAhz ChMk0b\" jsaction=\"agoMJf:PFBcW;MZfLnc:P7O7bd;nt4Alf:pvnm0e,pfE8Hb,PFBcW;B01qod:dJXsye;H1e5u:iXtTIf;lYIUJf:hij5Wb\" jsname=\"txFAF\" jscontroller=\"BiTO4b\"\u003e\u003cspan class=\"ryNqvb\" jsname=\"W297wb\" jsaction=\"click:PDNqTc,GFf3ac,qlVvte;contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:PDNqTc,c2aHje\"\u003e(including corners)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e and in overall fine condition bearing the carvers seal in the back. The Hannya is a mask that represents a female onryō (vengeful spirit). In Noh plays, the type of Hannya mask changes according to the degree of jealousy, resentment, and anger of the female characters. \u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eNoh theater, often referred to as Nohgaku, is a traditional Japanese performing art with a rich history dating back centuries. It is a highly stylized form of theater that combines elements of dance, music, poetry, and drama. Central to Noh performances are the intricate masks worn by the performers, known as Noh men. The origins of Noh can be traced back to ancient Japanese performing arts, particularly Kagura (ritual dance and music) and Bugaku (court dance and music). These traditional forms incorporated dance and music in religious rituals and imperial court ceremonies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eSarugaku, a precursor to Noh, emerged during the Nara (710-794) and Heian periods (794-1185). Sarugaku performances included comedic elements, acrobatics, and dance. Over time, it began to incorporate more serious and refined themes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eNoh as we know it today began to take shape during the Muromachi period (1336-1573). Kan'ami Kiyotsugu and his son Zeami Motokiyo played significant roles in refining and formalizing Noh performances, codifying its structure, music, and movements.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eZeami emphasized the importance of yūgen (mysterious beauty) and monomane (imitation or mimicry) in Noh, which influenced the development of Noh's distinctive aesthetic and storytelling techniques. Noh combines classical Japanese poetry (waka) with music and dance. The plays often revolve around themes of the supernatural, historical events, or literary works.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eDuring the Momoyama period the Tempo of Noh, which had been adopted by the elite, slowed significantly, to differentiate itself aesthetically from other forms of ritual dance.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eThis is the Noh that we have today.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eNoh masks represent different character types, such as gods, demons, spirits, elderly characters, and more. Each mask has distinct features and expressions that help convey the character's personality and emotions. They are meticulously crafted from wood and are meant to conceal the actor's emotions, allowing them to embody various characters and personas throughout the performance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eNoh theater is designated as a UNESCO Intangible Cultural Heritage and continues to be an essential part of Japan's cultural heritage. It has had a significant influence on other art forms, including traditional Japanese arts like Kabuki and Bunraku, as well as contemporary theater and dance. It remains a cherished and deeply respected art form in Japan, captivating audiences with its elegance, symbolism, and timeless stories.\u003c\/span\u003e\u003c\/p\u003e","brand":"Kura Monzen Gallery","offers":[{"title":"Default Title","offer_id":49171970031863,"sku":"NOH15","price":750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2023-09-0108.07.45.jpg?v=1729579904"},{"product_id":"onna-noh-mask-1","title":"Onna Noh Mask","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eA carved wood Noh-men Mask of a female figure.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eCarved wood covered with Gofun and mineral pigments, 20\u003csup\u003eth\u003c\/sup\u003e century.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eIt is 21 x 13.7 cm. There is some wear to the edges, but is in overall fine condition.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eNoh theater, often referred to as Nohgaku, is a traditional Japanese performing art with a rich history dating back centuries. It is a highly stylized form of theater that combines elements of dance, music, poetry, and drama. Central to Noh performances are the intricate masks worn by the performers, known as Noh men. The origins of Noh can be traced back to ancient Japanese performing arts, particularly Kagura (ritual dance and music) and Bugaku (court dance and music). These traditional forms incorporated dance and music in religious rituals and imperial court ceremonies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eSarugaku, a precursor to Noh, emerged during the Nara (710-794) and Heian periods (794-1185). Sarugaku performances included comedic elements, acrobatics, and dance. Over time, it began to incorporate more serious and refined themes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eNoh as we know it today began to take shape during the Muromachi period (1336-1573). Kan'ami Kiyotsugu and his son Zeami Motokiyo played significant roles in refining and formalizing Noh performances, codifying its structure, music, and movements.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eZeami emphasized the importance of yūgen (mysterious beauty) and monomane (imitation or mimicry) in Noh, which influenced the development of Noh's distinctive aesthetic and storytelling techniques. Noh combines classical Japanese poetry (waka) with music and dance. The plays often revolve around themes of the supernatural, historical events, or literary works.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eDuring the Momoyama period the Tempo of Noh, which had been adopted by the elite, slowed significantly, to differentiate itself aesthetically from other forms of ritual dance.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eThis is the Noh that we have today.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eNoh masks represent different character types, such as gods, demons, spirits, elderly characters, and more. Each mask has distinct features and expressions that help convey the character's personality and emotions. They are meticulously crafted from wood and are meant to conceal the actor's emotions, allowing them to embody various characters and personas throughout the performance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eNoh theater is designated as a UNESCO Intangible Cultural Heritage and continues to be an essential part of Japan's cultural heritage. It has had a significant influence on other art forms, including traditional Japanese arts like Kabuki and Bunraku, as well as contemporary theater and dance. It remains a cherished and deeply respected art form in Japan, captivating audiences with its elegance, symbolism, and timeless stories.\u003c\/span\u003e\u003c\/p\u003e","brand":"Kura Monzen Gallery","offers":[{"title":"Default Title","offer_id":49171975995639,"sku":"NOH1","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2023-09-0107.09.37.jpg?v=1729580178"},{"product_id":"otoko-noh-mask","title":"Otoko Noh Mask","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eA carved wood Noh-men Mask of a male figure with ruddy hue.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eCarved wood covered with Gofun and mineral pigments, 20th century.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eIt is 20.5 x 13.2 cm and in overall fine condition bearing the carvers seal in the back.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eNoh theater, often referred to as Nohgaku, is a traditional Japanese performing art with a rich history dating back centuries. It is a highly stylized form of theater that combines elements of dance, music, poetry, and drama. Central to Noh performances are the intricate masks worn by the performers, known as Noh men. The origins of Noh can be traced back to ancient Japanese performing arts, particularly Kagura (ritual dance and music) and Bugaku (court dance and music). These traditional forms incorporated dance and music in religious rituals and imperial court ceremonies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eSarugaku, a precursor to Noh, emerged during the Nara (710-794) and Heian periods (794-1185). Sarugaku performances included comedic elements, acrobatics, and dance. Over time, it began to incorporate more serious and refined themes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eNoh as we know it today began to take shape during the Muromachi period (1336-1573). Kan'ami Kiyotsugu and his son Zeami Motokiyo played significant roles in refining and formalizing Noh performances, codifying its structure, music, and movements.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eZeami emphasized the importance of yūgen (mysterious beauty) and monomane (imitation or mimicry) in Noh, which influenced the development of Noh's distinctive aesthetic and storytelling techniques. Noh combines classical Japanese poetry (waka) with music and dance. The plays often revolve around themes of the supernatural, historical events, or literary works.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eDuring the Momoyama period the Tempo of Noh, which had been adopted by the elite, slowed significantly, to differentiate itself aesthetically from other forms of ritual dance.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eThis is the Noh that we have today.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eNoh masks represent different character types, such as gods, demons, spirits, elderly characters, and more. Each mask has distinct features and expressions that help convey the character's personality and emotions. They are meticulously crafted from wood and are meant to conceal the actor's emotions, allowing them to embody various characters and personas throughout the performance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eNoh theater is designated as a UNESCO Intangible Cultural Heritage and continues to be an essential part of Japan's cultural heritage. It has had a significant influence on other art forms, including traditional Japanese arts like Kabuki and Bunraku, as well as contemporary theater and dance. It remains a cherished and deeply respected art form in Japan, captivating audiences with its elegance, symbolism, and timeless stories.\u003c\/span\u003e\u003c\/p\u003e","brand":"Kura Monzen Gallery","offers":[{"title":"Default Title","offer_id":49171985989879,"sku":"NOH3","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2023-09-0107.19.19.jpg?v=1729580796"},{"product_id":"onna-noh-mask-named-koomote-小面-which-means-young-pretty-woman","title":"Onna Noh Mask named “KOOMOTE \/ 小面” which means young pretty woman","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eA Noh mask representing a girl in the first blush of womanhood called Koomote. The full cheeks, engaging, full-lipped smile, dimpled chin, and eyes that swerve up at the sides suggest an outgoing, engaging personality. The \"caterpillar\" eyebrows are painted high on a full forehead and the black hair parted in the middle has three loose strands on each side. It is 21.3 x 13.5 cm, carved wood with gofun and mineral pigments, 20th century.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Kura Monzen Gallery","offers":[{"title":"Default Title","offer_id":49178507804919,"sku":"NOH20","price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2023-09-0108.30.29.jpg?v=1729932938"},{"product_id":"male-noh-mask-named-heita-平太","title":"Male Noh Mask named ”HEITA \/ 平太”","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eThe Heita mask is said to portray a warrior of the Kamakura period (1185 - 1333) named Egara no Heita Tanenaga. It has an indomitable face with a dark suntanned complexion and upward slanting eyebrows and a mustache. The mask is worn by a warrior’s ghost, who narrates his heroic exploits of bygone days. Carved wood covered with Gofun and mineral pigments, 20th century.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eIt is 19.8 x 14.3 cm and in overall fine condition bearing the carvers seal in the back.\u003c\/span\u003e\u003c\/p\u003e","brand":"Kura Monzen Gallery","offers":[{"title":"Default Title","offer_id":49179010072823,"sku":"NOH17","price":700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2023-09-0108.19.46.jpg?v=1729991877"},{"product_id":"japanese-noh-mask-named-akujyou-evil-lieutenant","title":"Japanese Noh Mask named “ AKUJYOU” (Evil Lieutenant)","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eThe mask of an old man with a strong and frightening expression. Carved wood covered with Gofun and mineral pigments, 20th century.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eIt is 23 x 16.5 cm and in overall fine condition bearing the carvers seal in the back. This type of mask is most often used for old gods and vengeful spirits.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eNoh theater, often referred to as Nohgaku, is a traditional Japanese performing art with a rich history dating back centuries. It is a highly stylized form of theater that combines elements of dance, music, poetry, and drama. Central to Noh performances are the intricate masks worn by the performers, known as Noh men. The origins of Noh can be traced back to ancient Japanese performing arts, particularly Kagura (ritual dance and music) and Bugaku (court dance and music). These traditional forms incorporated dance and music in religious rituals and imperial court ceremonies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eSarugaku, a precursor to Noh, emerged during the Nara (710-794) and Heian periods (794-1185). Sarugaku performances included comedic elements, acrobatics, and dance. Over time, it began to incorporate more serious and refined themes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eNoh as we know it today began to take shape during the Muromachi period (1336-1573). Kan'ami Kiyotsugu and his son Zeami Motokiyo played significant roles in refining and formalizing Noh performances, codifying its structure, music, and movements.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eZeami emphasized the importance of yūgen (mysterious beauty) and monomane (imitation or mimicry) in Noh, which influenced the development of Noh's distinctive aesthetic and storytelling techniques. Noh combines classical Japanese poetry (waka) with music and dance. The plays often revolve around themes of the supernatural, historical events, or literary works.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eDuring the Momoyama period the Tempo of Noh, which had been adopted by the elite, slowed significantly, to differentiate itself aesthetically from other forms of ritual dance.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eThis is the Noh that we have today.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eNoh masks represent different character types, such as gods, demons, spirits, elderly characters, and more. Each mask has distinct features and expressions that help convey the character's personality and emotions. They are meticulously crafted from wood and are meant to conceal the actor's emotions, allowing them to embody various characters and personas throughout the performance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eNoh theater is designated as a UNESCO Intangible Cultural Heritage and continues to be an essential part of Japan's cultural heritage. It has had a significant influence on other art forms, including traditional Japanese arts like Kabuki and Bunraku, as well as contemporary theater and dance. It remains a cherished and deeply respected art form in Japan, captivating audiences with its elegance, symbolism, and timeless stories.\u003c\/span\u003e\u003c\/p\u003e","brand":"Kura Monzen Gallery","offers":[{"title":"Default Title","offer_id":49179165524215,"sku":"NOH26","price":700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2023-09-0108.51.09.jpg?v=1730010396"},{"product_id":"onigami-noh-masked-named-kotobide","title":"Onigami Noh Masked named ”KOTOBIDE”","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eA Noh mask representing the spirit of a fox or other terrestrial spirit with a \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003egaping mouth which exposes a wide, red tongue and both the upper and lower teeth, draws the cheeks upward and makes the circular, metallic eyeballs jump out to create an overall fearfull expression. Carved wood covered with Gofun and mineral pigments, 20th century. It is 21 x 14.5 cm and in overall fine condition bearing the carvers seal in the back.\u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eNoh theater, often referred to as Nohgaku, is a traditional Japanese performing art with a rich history dating back centuries. It is a highly stylized form of theater that combines elements of dance, music, poetry, and drama. Central to Noh performances are the intricate masks worn by the performers, known as Noh men. The origins of Noh can be traced back to ancient Japanese performing arts, particularly Kagura (ritual dance and music) and Bugaku (court dance and music). These traditional forms incorporated dance and music in religious rituals and imperial court ceremonies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eSarugaku, a precursor to Noh, emerged during the Nara (710-794) and Heian periods (794-1185). Sarugaku performances included comedic elements, acrobatics, and dance. Over time, it began to incorporate more serious and refined themes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eNoh as we know it today began to take shape during the Muromachi period (1336-1573). Kan'ami Kiyotsugu and his son Zeami Motokiyo played significant roles in refining and formalizing Noh performances, codifying its structure, music, and movements.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eZeami emphasized the importance of yūgen (mysterious beauty) and monomane (imitation or mimicry) in Noh, which influenced the development of Noh's distinctive aesthetic and storytelling techniques. Noh combines classical Japanese poetry (waka) with music and dance. The plays often revolve around themes of the supernatural, historical events, or literary works.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eDuring the Momoyama period the Tempo of Noh, which had been adopted by the elite, slowed significantly, to differentiate itself aesthetically from other forms of ritual dance.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eThis is the Noh that we have today.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eNoh masks represent different character types, such as gods, demons, spirits, elderly characters, and more. Each mask has distinct features and expressions that help convey the character's personality and emotions. They are meticulously crafted from wood and are meant to conceal the actor's emotions, allowing them to embody various characters and personas throughout the performance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eNoh theater is designated as a UNESCO Intangible Cultural Heritage and continues to be an essential part of Japan's cultural heritage. It has had a significant influence on other art forms, including traditional Japanese arts like Kabuki and Bunraku, as well as contemporary theater and dance. It remains a cherished and deeply respected art form in Japan, captivating audiences with its elegance, symbolism, and timeless stories.\u003c\/span\u003e\u003c\/p\u003e","brand":"Kura Monzen Gallery","offers":[{"title":"Default Title","offer_id":49179166671095,"sku":"NOH28","price":700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2023-09-0108.58.34.jpg?v=1730010750"},{"product_id":"onna-noh-mask-named-uba-which-means-an-old-woman","title":"Onna Noh Mask named “UBA” which means an old woman","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eA Noh mask representing a dignified old woman. Carved wood covered with Gofun and mineral pigments, 20th century.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eIt is 20.8 x 13.8 cm and in overall fine condition bearing the carvers seal in the back. There are many forms of this type of mask, however, all share the wrinkled and bony features of a woman grown old gracefully. The sunken eyes look down, being carved as a slightly curved slit. The serenity of the face reflects a divine nature that has only temporarily taken on the form of an old woman, such as the spirit of the old wife-goddess in Kuzu. Uba is used generally for non-dancing roles. \u003c\/span\u003e\u003c\/p\u003e","brand":"Kura Monzen Gallery","offers":[{"title":"Default Title","offer_id":49179170701559,"sku":"NOH27","price":650.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2023-09-0108.54.48.jpg?v=1730011256"},{"product_id":"japanese-noh-mask-deity-named-oobeshimi","title":"Japanese Noh Mask, Deity named “OOBESHIMI”","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eOobeshiomi, also called simply Beshimi (or Obeshimi), is a Noh mask representing a Deity or Tengu who protects others from evil spirits and demons. Carved wood covered with Gofun and gold, this dates from the 20th century.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eIt is 22.3 x 17 cm and in overall fine condition bearing the carvers seal in the back. It appears to have been in the midst of re-working the colored covering, or had never received its final coat of color, which makes it in fact, quite unique.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eOobeshimi's tense expression creates deep wrinkles on the forehead and forces both ends of the eyebrows to curl upward. Flattened nostrils enlarge the end of the nose. The mask has a rounded jaw and depth of modelling allows for ears. The eyebrows, beard, and moustache of the mask are painted in black. Vermillion outlines highlight the creases in the brown skin\u003c\/span\u003e\u003c\/p\u003e","brand":"Kura Monzen Gallery","offers":[{"title":"Default Title","offer_id":49179174469879,"sku":"NOH29","price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2023-09-0109.01.28.jpg?v=1730012205"},{"product_id":"onigami-noh-mask-named-ootobide","title":"Onigami Noh Mask named “OOTOBIDE”","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eA Noh mask representing the God of Thunder, the God of Heaven, protector of Buddhism, or a ghost known as Ootobide (also Otobide or just Tobide). Carved wood with mineral pigments and gold, it is 21.2 x 16.2 cm and in fine condition, dating from the 20\u003csup\u003eth\u003c\/sup\u003e century. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\"\u003eAs befits its august character, the Ootobide is unusually large for a Noh mask and painted in gold. The mask has protruding, metallic gold, circular eyeballs with crossed eyes which create an illusion that the eyes are rolling around. Crescent-shaped eyebrows are painted in black. A prominent, flattened nose, and big ears further emphasize the mask's imposing character. The mask's mouth gapes wide to show both the upper and lower teeth and the tip of a long, wide, red tongue. Apparently, ootobide was made for the play Raiden in which the ghost of an angry official returns as the God of Thunder and burns down the imperial palace. \u003c\/span\u003e\u003c\/p\u003e","brand":"Kura Monzen Gallery","offers":[{"title":"Default Title","offer_id":49179199275255,"sku":"NOH37","price":700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2023-09-0109.25.57.jpg?v=1730015813"},{"product_id":"mid-century-japanese-bronze-vase-with-swimming-carp","title":"Mid-Century Japanese Bronze Vase with Swimming Carp","description":"A large bronze vase in olivec-olored textured orange-peel finish signed Gyokuho and inscribed as having been made to celebrate the 10th year of the founding of the modern Tokyo Stock Exchange, which means the vase was cast in 1959. It is 27.5 cm (11 inches) diameter, 36.5 cm (14-1\/2 inches) tall and weighs 5.5 kg (12 pounds). It is in excellent condition.","brand":"Kura Monzen Gallery","offers":[{"title":"Default Title","offer_id":49219791323383,"sku":"K504","price":1100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2024-10-1406.22.11.jpg?v=1731126210"},{"product_id":"bronze-catfish-statue","title":"Bronze catfish statue","description":"A pair of wriggling catfish slip past each other as they form this signed bronze sculpture by Kawai Toshihisa mounted on a stone base. They are together 22.5 x 12 x 15.5 cm (9 x 5 x 6 inches) and are in excellent condition. \u003cbr\u003e\n\u003cbr\u003e\nKawai Toshihisa was born in Chiba prefecture in 1935, and while still at university, his work was selected for display at the VOL exhibition held at the Kyoto City Museum of Art in 1962. He graduated the Kyoto Municipal University of Art and held his first Solo exhibition the following.","brand":"Kawai Toshihisa","offers":[{"title":"Default Title","offer_id":49221253693687,"sku":"K521","price":750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2024-10-1406.38.31.jpg?v=1731204684"},{"product_id":"silver-gold-accented-taisho-period-bronze-okimono-3-pigeons","title":"Silver \u0026 Gold Accented Taisho Period Bronze Okimono, 3 Pigeons","description":"Silver spots the wings and gold dots the eyes of this superb set of 3 bronze birds set onto a bronze stand in the shape of fallen roof tiles signed Isso enclosed in the original wooden box dated Taisho 4 (1915). Assembled the set is 34.5 x 17.5 x 20 cm (13-1\/2 x 7 x 8 inches) and is in excellent condition.","brand":"Kura Monzen Gallery","offers":[{"title":"Default Title","offer_id":49222516572407,"sku":"K485","price":3500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2024-09-1408.07.06copy.jpg?v=1731309727"},{"product_id":"rare-lacquer-writing-box-ー諏訪蘇山-青貝唐閣山水-硯箱-古稀記念","title":"Rare! Lacquer Writing Box ー諏訪蘇山 “青貝唐閣山水 硯箱” “古稀記念”","description":"Mother of pearl inlay forms a continental scene of sages wandering among pavilions before steep mountains on this writing box by Tei-shitsu Gigei-in (Imperial Artist) Suwa Sozan I complete with artist made celadon ink grinding stone, water dropper, brushes and a paper knife enclosed in the original signed wooden box. Inside the lid mandarin ducks swap glances under a blossoming plum tree, while cranes soar among clouds below. It is signed in red lacquer beneath. The piece is 23.5 x 27 x 5 cm (9-1\/4 x 11 x 2 inches) and is in excellent condition, wrapped in the original padded silk cloth.\u003cbr\u003e\n\u003cbr\u003e\nSuwa Sozan I (1852-1922) was born in Kutani country, present day Ishikawa prefecture, where he initially studied before moving to Tokyo in 1875. Over the next 25 years he would gravitate between Tokyo and Kanazawa, working at various kilns and research facilities. He again relocated, this time to Kyoto in 1900 to manage the Kinkozan Studio before establishing his own. His name became synonymous with celadon and refined porcelain and was one of only five potters to be named Teishitsu Gigei-in. The Teishitsu Gigei-in were members of the Imperial Art Academy, Perhaps in modern terms one might call them the predecessors to the Living National Treasures. However unlike the LNT, there were only five Pottery artists ever named Teishitsu Gigei-in, Ito Tozan, Suwa Sozan, Itaya Hazan, Miyagawa Kozan, and Seifu Yohei III. He was succeeded by his adopted daughter upon his death. He is held in the Kyoto National Museum among many others.","brand":"Suwa Sozan I","offers":[{"title":"Default Title","offer_id":49227072209143,"sku":"K552","price":7500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2024-11-0405.34.44copy.jpg?v=1731463648"},{"product_id":"serenity-in-wood-a-carved-rabbit-okimono","title":"Serenity in Wood, a Carved Rabbit Okimono","description":"Two cuddly rabbits vie for our attention, a beautifully sculpted wood carving signed Yamaguchi Toshio from Hita Takayama in Gifu prefecture dating from the first half of the 20th century. It is 29 x 15 x 17 cm (11-1\/2 x 6 x 7 inches) and is in excellent condition.","brand":"Yamaguchi Toshio","offers":[{"title":"Default Title","offer_id":49239219306743,"sku":"K542","price":785.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2024-10-2602.35.37copy.jpg?v=1731819163"},{"product_id":"bamboo-basket-ー田邊-竹雲斎-手付盛籠","title":"Bamboo Basket ー田邊 竹雲斎 \"手付盛籠\"","description":"A handled basket of split bamboo woven into an open form by Tanabe Chikuunsai II enclosed in the original sgned wooden box titled Tetsuki Morikago. It is 31.5 cm (12-1\/2 inches) diameter, 23 cm (9 inches) tall and in excellent condition.\u003cbr\u003e\n\u003cbr\u003e\nTanabe Chikuunsai II (1910-2000) was born in Osaka the son of Tanabe Chikuunsai I and trained under his father. In 1930 he became a member of the Naniwa Ranyukai and exhibited was first accepted into the Teiten (Modern Nitten) National Art Exhibition in 1931, and exhibited there both prior to and following the second world war. He assumed the name of Chikuunsai II on the death of his father in 1937. In 1991 he transferred his studio name to his eldest son, who became Chikuunsai III and took the retirement name Ichikusai. Work by him is held in museums throughout the world including the Metropolitan Museum in New York, Museum of Fine Art in Boston, San Francisco Asian Art Museum and aforementioned Minneapolis among many others.","brand":"Tanabe Chikuunsai","offers":[{"title":"Default Title","offer_id":49239219503351,"sku":"K528","price":2750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2024-10-2603.17.16.jpg?v=1731819464"},{"product_id":"19th-c-korin-maki-e-rimpa-style-suzuribako-lacquer-box","title":"19th c. Korin Maki-e Rimpa Style Suzuribako Lacquer Box","description":"Deer in raised gold and mother of pearl gather about a flowing stream under bold maple on the mirror black surface of this Suzuri Bako Writing box enclosed in the original 19th c. black lacquered wooden storage case. The maple tree itself is a trunk of lead with leaves in gold, mother of pearl and lead. Inside the lid plum blossoms reach for the early spring sun over a roof of beaten lead. It retains the original Suzuri ink stone and water dropper set onto a raft structure decorated with pine boughs. The box is 21 x 24 x 4.5 cm (8 x 9-1\/2 x 2 inches) and is in overall excellent condition.","brand":"Kura Monzen Gallery","offers":[{"title":"Default Title","offer_id":49251711844599,"sku":"K550","price":4500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2024-11-0407.06.44copy.jpg?v=1732435094"},{"product_id":"momoyama-to-early-edo-stacking-lacquer-box-maki-e","title":"Momoyama to Early Edo Stacking Lacquer Box, Maki-e","description":"A 16th -17th century Momoyama to Early Edo) Lacquered set of stacking boxes decorated with susuki (Pampas grass) blowing in the cold late autumn wind; inlayed balls of oxidized silver intimating early snow fall. The interior is festive red, while the outside is Ro-iro polished black with gold powdered designs. All the corners are sculpted and covered in powdered silver with scrolling vines in gold. Each box has its own feet, which interlock with the box above and below. On the lid a cluster of rocks in Taka-maki-e rise in silver and gold from a garen floor. The set is 38 x 27 x 22 cm (15 x 11 x 8-1\/2 inches) and is in overall fine condition considering the great age (400 years) and use. It comes in a period red lacquered wooden box with some damage due to the great age.","brand":"Kura Monzen Gallery","offers":[{"title":"Default Title","offer_id":49251713188087,"sku":"K553","price":1800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2024-11-0405.52.44.jpg?v=1732435450"},{"product_id":"antique-japanese-seto-uma-no-me-ishizara-plate","title":"Rare Antique Japanese Mashiko Uma-no-me Ishizara Platter","description":"\u003cp class=\"MsoNormal\"\u003eA superb example of the Uma-no-me (Horse-eye) style platters of the Edo to Meiji period with five eyes surrounding a ring of spur marks centering on a dashed spray of grass. Ordinarily associated with the Seto region, this is a rare example of the Mashiko region. It is 32.5 cm (13 inches) diameter and in rare perfect condition, dating from the later Meiji period.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eDuring the late Edo to Meiji period these plates were mass-produced as utilitarian wares in Seto City, Aichi Prefecture. Later, they gained popularity when they were introduced by Yanagi Sōetsu, the founder of the Mingei (Folk Crafts) movement which espoused objects made with simplicity and a focus on function, stripped of unnecessary elements. Their rustic charm came to be appreciated as the \"beauty of utility\" (yō no bi). The hand-painted designs ensured that each one had unique characteristics. \u003cbr\u003e\u003c\/p\u003e","brand":"Kura Monzen Gallery","offers":[{"title":"Default Title","offer_id":49253388419319,"sku":"K580","price":350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2024-11-2405.54.10.jpg?v=1732504931"},{"product_id":"spectacular-lacquer-box","title":"Spectacular  Lacquer Box ー番浦 省吾 \"亀甲型手筥\"","description":"A striking large lacquer box decorated with orchids on pink by Banura Shogo enclosed in the original signed wooden box titled Kameko-gata Te-bako. Inside is simple polished black lacquer. The outside back ground is powdered dry lacquer mixed with silver. Overtop is applied the various colored lacquer leaves and mother of pearl inlay flowers. It is 28 x 46 x 11 cm (11 x 18 x 4-1\/2 inches) and is in excellent condition.\u003cbr\u003e\n\u003cbr\u003e\nBanura Shogo (1901-1982) was born in Nanao, Ishikawa prefecture, and studied lacquer in the Wajima tradtion. In 1925 he moved to Kyoto. It was a time of great interest in ancient things, forgotten styles, and revival of lost techniques. Together with Okumura Kyuka he established a research group dedicated to the study and revival of lacquer techniques. He exhibited with the Bunten (Teiten\/Nitten) National Art Exhibition and was first awarded there in 1930 for a cabinet, and in 1936 for a screen at the same venue. The following year would see his work garner a prize at the Great Paris Exhibition. Post war he would establish the group Sojinsha which would evolve into Shugenkai in the 1950s. In 1963 e would be granted the Zosho prize from the Japan Art Academy. Ever promoting the field of lacquer, he served as chairman of the Kyoto Shitsugeika Kyokai (Kyoto Association of Lacquer Artists) and was named an Artist of Merit by Kyoto city for his contribution to the arts and crafts in 1972, nad by Kyoto prefecture in 1974. In 1981 this cumlminated wit hteh Order of the Rising Sun , one of the highest national honors for an artist in Japan. He died the following year. Works by him are held in the collections of: The Kyoto National Museum of Modern Art, The Kyoto Municipal Museum of Art, The Tokyo Museum of Modern Art, The Kyoto Shinkin Bank Musuem, Iwashimizu Hachimangu Shrine as well as numerous private collections.","brand":"Banura Shogo","offers":[{"title":"Default Title","offer_id":49255816036599,"sku":"K385","price":6000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/LacquerBox_1.jpg?v=1732602350"},{"product_id":"antique-japanese-kutsuki-collapsed-tsubo","title":"Antique, Japanese Kutsuki Collapsed Tsubo","description":"\u003cp\u003eA Tsubo which slumped in the kiln adhering to a pair of sake cups, one of which remains clinging to the side. It appears to be Karatsu ware, green glaze sliding over rich red iron and forming beads around the foot ring. It is 23 x 17 x 22.5 cm (9 x 7 x 9 inches). There is a small chip in the rim but is otherwise in excellent condition.  \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Kura Monzen Gallery","offers":[{"title":"Default Title","offer_id":49255882391799,"sku":"K383","price":495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2024-06-1507.52.03copy.jpg?v=1732605612"},{"product_id":"binshi-lidded-vase-set","title":"Binshi Lidded Vase Set","description":"A boxed set of Binshi offering vases decorated with regal fowl enclosed in a period wooden box by Kiyomizu Rokubei. Each is roughly 12 cm 4-3\/4 inches) tall and in perfect condition. Very difficult to tell with this signature, but I believe it is the work of the 4th Rokubei, possibly a very early work by the 5th.\u003cbr\u003e\n\u003cbr\u003e\nKiyomizu Rokubei IV (1848-1920) was born the first son of Rokubei III and headed the family kiln from 1883-1913.He studied painting in the Shijo manner under Shiiokawa Bunrin and had a brotherly relationship with his fellow student Kono Bairei (under whom his own son would study painting). He sought to revitalize the pottery tradition of Kyoto, bringing in new techniques and styles and together with artists like Asai Chu and Nakazawa Iwata took part in the Entoen group and with Kamisaka Sekka the Keitobi-kai. He also held a strong relationship with literati artists such as Tomioka Tessai and together with these artists produced many joint works. He fell ill in 1902, finally handing the reins over to the 5th generation in 1913.\u003cbr\u003e\n\u003cbr\u003e\nKiyomizu Rokubei V (Shimizu Kuritaro, 1875-1959) initially studied painting and decorating technique under Kono Bairei, one of the foremost painters in Japan in the Meiji era. After graduating the Kyoto Municipal Special School of Painting, he took a position under his father at the family kiln however. That same year he exhibited his first work at the National Industrial Exposition. He was a co-founder of Yutoen with his father and Asai Chu, and worked ceaselessly to promote the pottery of Kyoto. He helped to establish the Kyoto Ceramics Research Facility (Kyoto Tojiki Shikensho) at the turn of the century which would be the proving ground for many young artist of the era. Doctor Maekawa Shinya has noted that Teishitsu-Gigei-in (Imperial Art Academy Member) Seifu Yohei III also fired his acclaimed works in the Rokubei kiln in the Taisho era. Due to his father’s poor health Rokubei V took the reins unofficially in 1902, commanding the helm until assuming the name Rokubei V in 1913. It was in 1928 that Rokubei changed the reading of the family name from Shimizu to Kiyomizu and applied it retroactively to previous generations. He exhibited constantly, and garnered a great many awards. He worked to get crafts added to the National Art Exhibition (Bunten\/Teiten) and served as a judge in 1927, the first year crafts were allowed. In 1937 he was designated a member of the Imperial Art Council (Teishitsu Bijutsu Inkai). Despite changes in the world around him Rokubei persevered, working in all manner of materials and styles. \u0026gt;He retired in 1945, perhaps as exhausted as Japan was with the end of the war, or perhaps seeing that capitulation would signal a new era in need of new leaders and a new aesthetic. He passed the name Rokubei to his son and took the retirement name Rokuwa. Uncontainable he continued to create pottery under that name until his death in 1959. His influence is so pervasive he was voted one of the most important potters of the modern era by Honoho magazine, the preeminent quarterly devoted to Japanese pottery. A multitude of works by him are held in the The National Museums of Modern Art, both in Tokyo and Kyoto, the Kyoto Kyocera Museum, The Kyoto Hakubutsukan Museum and the Philadelphia Art Museum among others.","brand":"Kiyomizu Rokubei","offers":[{"title":"Default Title","offer_id":49255913554167,"sku":"K452","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2024-08-0408.46.57copy2.jpg?v=1732610857"},{"product_id":"rare-ryukyu-circular-lacquered-wooden-container-okinawa","title":"Rare Ryukyu Circular Lacquered Wooden Container, Okinawa","description":"A large container on three scrolling feet covered in cinnabar lacquer decorated with islands dotted with pavilions off the shores of which ply sail boats on placid waters. It is 30 cm (12 inches) diameter, 31 cm (12-1\/2 inches) tall and in overall fine condition. The distinctive red color often seen in Ryukyuan lacquer is of a more vibrant tone than that from China or Japan. It is obtained by mixing raw lacquer with red pigment in roughly equal amounts, a mixture which turns blood-red in the sunlight. This piece makes use of a technique known as tsuikin (lit. piled brocade) which is especially distinctive for Ryukyuan lacquers. Lacquer is mixed with pigments to create a sort of clay or putty, which is shaped and carved and then applied onto the object, in order to create textured three-dimensional effects.\u003cbr\u003e\n\u003cbr\u003e\nAs the lacquer tree is not native to Okinawa, the key material needed to produce lacquerware could only be obtained by the Ryukyuans through trade. Though the islands were involved with trade with Japan and the Asian mainland for many centuries, it is generally believed that the presence and production of lacquerware in Ryukyu only began to any significant extent in the late 14th or early 15th centuries. Ryukyu enjoyed a booming trade with Southeast Asia and Korea, and traded many goods from these countries with China, either as tributary gifts or as regular trade goods. Beginning in 1609, when Ryukyu was invaded by Japan's Satsuma Domain, its trade with Southeast Asia and Korea all but came to an end, replaced by commerce with Satsuma. Thus, given the changes in Ryukyu's relationships with foreign countries over its history, it is easy to see why Ryukyuan lacquer prior to the 17th century shows strong Chinese, Korean and Southeast Asian influences, while objects produced after the Japanese invasion evidence far stronger Japanese influences. A vast majority of Okinawan lacquer (and other cultural objects) were destroyed during the battle of Okinawa in the second world war, when the Islands were laid waste by both the victors and vanquished with scorched-earth\/ take-no-prisoners policies, and finding impressive pieces like this today is decidedly uncommon. ","brand":"Kura Monzen Gallery","offers":[{"title":"Default Title","offer_id":49258286907639,"sku":"K508","price":3000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2024-10-1407.07.57_7ea63ca3-6967-4aa9-89ed-99575a85118f.jpg?v=1733211562"},{"product_id":"classic-bamboo-basket-ー二代-田邊-竹雲斎-万葉-花籠","title":"Classic Bamboo Basket ー二代 田邊 竹雲斎 \"万葉 花籠\"","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 10.0pt; font-family: 'Century',serif;\"\u003eA paradigmatic basket by\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eTanabe Chikuunsai II enclosed in the orginal signed wooden box. This square form of open vertical slats is a favorite of this artist.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eIt is 9 x 18 x 35 cm (3-1\/2 x 7 x 14 inches) and is in excellent condition.\u003cspan style=\"mso-spacerun: yes;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 10.0pt; font-family: 'Century',serif;\"\u003eTanabe Chikuunsai II (1910-2000) was born in Osaka the son of Tanabe Chikuunsai I and trained under his father.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eIn 1930 he became a member of the Naniwa Ranyukai and exhibited was first accepted into the Teiten (Modern Nitten) National Art Exhibition in 1931, and exhibited there both prior to and following the second world war.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eHe assumed the name of Chikuunsai II on the death of his father in 1937. In 1991 he transferred his studio name to his eldest son, who became Chikuunsai III and took the retirement name Ichikusai. Work by him is held in museums throughout the world including the Metropolitan Museum in New York, Museum of Fine Art in Boston, San Francisco Asian Art Museum and aforementioned Minneapolis among many others.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e","brand":"Tanabe Chikuunsai","offers":[{"title":"Default Title","offer_id":49262346862839,"sku":"K388","price":1800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/BambooVase_11.jpg?v=1732846033"},{"product_id":"blue-white-lotus-leaf-bowl-ー松月山-鸞亭","title":"Blue \u0026 White Lotus leaf Bowl ー松月山 鸞亭","description":"A delicate sometsuke bowl in the shape of a decayhing lotsu leaf by Shogetsuzan Rantei of Kyoto dating from the later Edo period signed on the base. Shogatsuzan Rantei was a Kyoto artist of the late Edo period who worked initially in Sometsuke blue and white wares, and later, around 1865, made pottery in richly colored red glazes in the Banko style. There are many chips along the edge consistent with use and age which seem to match with the idea of the slowly decaying leaf motif, no cracks or repairs.\u003cbr\u003e\nThe bowl is roughly 14.5 cm (5-3\/4 inches) diameter, 6.5 cm 2-1\/2 inches) tall and comes enclosed in an old wooden box titled Hasu-no-Ha Kobachi.","brand":"Shogetsuzan Rantei","offers":[{"title":"Default Title","offer_id":49262664417527,"sku":"K285","price":750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/BnwBowl_1.jpg?v=1732860269"},{"product_id":"edo-period-shell-shaped-lacquer-wooden-bowl","title":"Edo period Shell Shaped Lacquer Wooden Bowl","description":"A large bowl hollowed out from Kiri-wood darkened with age and covered on top with black lacquer inlayed with mother of pearl designs and glistening gold maki-e waterfronds with waves about the rim. It is 35 x 25.5 x 10 cm (14 x 10 x 4 inches) and is in overall fine condition, enclosed in a dilapidated kiri-wood box black with age.","brand":"Kura Monzen Gallery","offers":[{"title":"Default Title","offer_id":49265342710007,"sku":"K269","price":1250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2024-05-2604.54.01copy.jpg?v=1732931585"},{"product_id":"unusual-art-deco-influenced-ceramic-vase-ー宇野仁松-扁壺","title":"Unusual Art-Deco Influenced Ceramic Vase ー宇野 仁松 \"扁壺\"","description":"A very unusual vase Combining Art Deco aesthetics with Mishima pottery techniques by Uno Ninmatsu enclosed in the original signed wooden box titled Mishima-te Henko. It is 18 x 10.5 x 27 cm (7 x 4 x 11 inches) and is in excellent condition!\u003cbr\u003e\n\u003cbr\u003e\nUno Ninmatsu (1864-1937) was born in Kyoto son of potter Wada Sohei and studied under his father as well as from a young age Seifu Yohei II then future Imperial Art Academy artist Seifu Yohei III until setting up his own studio at the age of 21. Outgoing by comparison to the normal Kyoto ideal, he promoted Kyoto art and culture and actively sought to invigorate the export market (then dominated by Tokyo and Yokohama). He won a bronze medal at the Paris world exposition in 1901, and gold medal at the St. Louis Exposition in 1904, Belgium in 1905 and Milan the following year. Unlike other potters in Kyoto at this time, he did not overly decorate his works, but concentrated on matte glazes and form in austere glaze techniques. This proved very popular, and from the turn of the century his works were highly sought in the United States. He also worked closely with designers in France, where many of his works were exported. Following the first world war, he retired to the domestic market. He was deeply involved in silk road pottery research and mastered Shinsha (flambe glazes) as well as Turkish Blue and other styles not yet produced at that time in Kyoto. He was father and mentor to Uno Soyo and Uno Sango, and served as mentor to the young Isamu Noguchi.","brand":"Uno Ninmatsu","offers":[{"title":"Default Title","offer_id":49267494584567,"sku":"K537","price":995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/files\/2024-10-2602.45.33copy2.jpg?v=1733027173"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0658\/7472\/3063\/collections\/2025-01-1502.57.23copy.jpg?v=1766739635","url":"https:\/\/kuramonzen.com\/collections\/antique.oembed?page=11","provider":"Kura Monzen Gallery","version":"1.0","type":"link"}